Projector Screen Small

Starting block 2 March 12, 2011 at the station to gorillas

More information www.lamangouste.com

Mmo Like Mount And Blade

Charles Passy: "Uncaged"

After a first album "Mainly Blue" confidential, Charles Passy is back with this new effort "Uncaged "which confirms the good intentions here on interviews EP of the same name and the scene of China. "Mainly Blue," the title of the debut album by Charles, is also the perfect definition of this new opus. For if the blues is very clearly the basis of Charles musical harmonica, he has repeatedly, throughout the album varied and colorful to take the blue note to new horizons. At that point the only Blues seems simplistic to label this protean artist. "Farewell My Love" (with Archie Shepp), already on the maximum and "Old Lady Paris" see Charles rub successfully to a more jazzy repertoire. On "Better With Butter", "Things Have Changed" and "Lost Generation" blues, "jumpy" and removed, Charles is adorned with funky attire, especially in the rhythmic, sexy in the armholes. If "A Lullaby" gives the image of an artist at peace, a legacy of rock and roll energy, evident in some guitar parts "heavy" ("Wild it up"), seems to propel the disc from beginning to end. In terms of voice Charles Pasi is also a chameleon both crooner - "While you're dancing," "Remember the Day" - a temporary calm and able to flirt with the rap (unless it is scat) when the pace gets carried away (the final "Up to us"). A live album and clever in the image of the artist, who despite her young age seems already to have understood all the ropes. Recommended.

TELECHARMENT AVAILABLE ON ALL PLATFORMS AND OUTPUT IN THE BINS March 7.

http://www.charlespasi.com/

www.youtube.com / user / charlespasichannel

Proshow Gold How To Reduce File Size

The Boxer Rebellion: The cold

With a name like that, we could have s wait for something a bit more "punchy" ... Well no it is not ... high-pitched voice, bass and drums muted effects on the guitars and some sparse piano notes. No, we're not talking about a new Coldplay album, but The Boxer Rebellion English, who themselves are on their third disc, a group whose great merit is to have never dropped the case even after the bankruptcy of their label shortly after releasing their first album and since no one is doing record label. It's a great story, sure, but it is a pity that their music sounds so tuned to the FM. It's soft and delicate but soothing, with the exception of "Step Out of the car", the better the lot. Already well underway in the United States, The Boxer Rebellion will no doubt make its mark on the airwaves by us. By cons in terms of ears of your servant's another story ...

www.theboxerrebellion.com

Duncans Hines Brownie Mix Ingredients

Stupeflip stills: "The Hypnoflip Invasion

They succeeded, they are back. Stupeflip "burnt in FNAC" after losing a lawsuit against the major, is back with her third album "The Hypnoflip invasion" financed by the sale of their DVD ( chronic here). Concept album fairly generous, more than an hour of music, the disc connects the pieces with virtually no downtime, some interludes for advancing the plot. Musically, the "invasion hypnoflip" sees the band take up with a tense and angry rap, excellent "Stupeflip fast! "The French new wave pop vaguely" Gaëlle "," This little suede jacket, "" the heart that hits, "Under the Influence 80s, where metal guitars" chack da Crou. Basically, the group does not care "good taste" they emmerdent, fearless arrangements and especially not on fire like "Letter to Mylène. So, it is easy to see in a band of thugs Stupeflip singing / rapping / screaming like damned souls in all the microphones lying around. Certainly there is a bit of that, group members are kind of upset. Yet Stupeflip is touching. Yes, yes, touching. Affecting its propensity to the side of the disenfranchised, the moving "The small spleen 'which will not fail to recall many memories to all those who have never been" cool "at school or Gem mochi '"ode to ugliness dedicated to those who do not have the size dummy. But the climax is reached at the very end of this album with monologue rather sad in the end, the pencil bar: "titi with this pencil I will write up to tricks, I want to eat the earth full "... Like a desperate and despairing observation ...

www.stupeflip.com

www.facebook.com / Stupeflip

www.youtube.com / stupeflipofficiel

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the howls of Leo:" Damn luxury "

Friendly group, the howls of Leo trace their way for nearly fifteen years in the French musical landscape. A rather unusual route that sees them cross the French song written in very simple texts, too, perhaps, a hint of jazz full swing with an excellent horn section. But as with colleagues from Tufts Kretiennes , both several groups have members in common, it is the rock that provides the energy to move the machine. A rock is hiding, lurking in the dark recesses of their compositions in the form of a menacing guitar riff, an underlying tension ("El Fuego") that sometimes erupts into the open as in "La Haine" or "Trader of Love" is the battery to match, and the limit of the implosion. This harshness is sung in several musical voice all quite guttural, which suits them perfectly. The violin and accordion providing a more intimate and melancholy notes, "No Yesterday," "From the look ! "And lets stoke the inner fire that drives the group. A big mess of music, certainly, but a luxury brothel.

www.hurlements.com

www.myspace.com / leshurlementsdleo

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Stellardrive: ERS-4: Speak, Memory "

Certainly, the scene seems to be inexhaustible and Besancon rich groups quality, often with a name beginning with the letter S (Silent , Steno P , Slide on Venus ) to which joins Stellardrive now. This quintet has chosen a instrumental music, with the exception of a few sampled voice here and there. It is an approach that is both intelligent and unfortunately too rare in these days and would do well to adopt some groups to English too rudimentary. In short, let us ... This album, in digipak very classy, is rather short, 7 tracks just over half an hour during which Stellardrive will pass through different states of mind-blowing rock or progressive tendency to blunt attacks metal. The concept is embodied in compositions for longer periods, allowing sufficient margin for the group to exploit all the opportunities and lower corners. After quiet intros based melodic arpeggios and synthetic layers, Stellardrive out the big artillery pounding drums (we suffer for the poor cymbals) and raging guitars. The music resembles the curve of an oscilloscope peak of highs and lows corresponding to peaks of tension that descend calmly before rebounding sharply from a single block. Almost cinematic in its scope, careful production and impeccable sound, the music is reminiscent of Stellardrive American Gifts from Enola ( chronic here) that readers of this page may recall. It proves especially in Here, we are able to do in France as well as the United States.

www.stellardrive-music.org

www.myspace.com / stellardrivemusic

Can You Buy Puppy Chow Premade?

The tutor


(Image: Luciano Marino)

Come abolish the fabric of your legions amiable diplomat
string of fingers
Dextre strategists. As

railway to acetate, which protects me,
Apostasy of my emotion. Staying
affable!

trifle bare,
Clinging to his dad,
Shocked subversive mysticism.

Troubleson corrosive, although refractory
Cadette already
therefore innate knowledge on defects.

Why Do We Get Capillaries

Interview Marie Fleur (French version)

Mysterious, mysterious Mary Flower . Enigmatic singer who merely terse sentences when expecting a response developed and vice versa. Is it possible that we know even less about a person after an interview? The evidence in the following lines ...

1) After singing with groups Jazzabilly Blues, The Model Millionaires and Micho Pelo, how do you feel all alone at the controls?

Mary Flower: I always controlled everything.

2) Do you remained in contact with your former players now that you moved to the other side of the country, from Los Angeles to Detroit?

MF: Oh yes . They are all wonderfully talented. I love them.

3) The new album "Baby Unicorn "is a great step forward and a mix of new sounds. Will you tell us about it?

MF: I think we took some risks but in reality it is a jazz album.

4) The song "Baby Unicorn" is it a taste of what you could do later?

MF: Oh no, it's just a comedy skit. But there will certainly be more electronics. I love a guy named Alfred Darlington (Daedelus aka) and, of course, I was always obsessed with music and career Raymond Scott (American composer born in 1908 and died in 1994, it is also the inventor of electronium and clavivox, ed ). And also, who did not want to be Clara Rockmore? ( American musician born in 1911 and died in 1998, it was a theremin virtuoso, ed )

5) At this point, you were drugged when you recorded this song (and if so tell us which, it seems to work)?

MF: No, no drugs. This is the result of twelve hours of singing inside a pyramid. I like to do a song on every album that shows your state of mind after being cooped up for hours in a small room like a madman to work until you die. You can be very sane, everyone cracks at some point. Then you laugh like crazy at you rolling on the ground. After everyone gets up and starts to work normally as if nothing unusual had happened. I think that it is not thy never happened either you do not work enough or you're a robot.

6) How did you know the directory Jazz 30's?

MF: I close my eyes and I travel in time.

7) Do you think your music is nostalgic?

MF: Yes of course but we are also worried about the future.

8) The sleeves of your albums are always great. Do you take special care of the visual aspect? Is it important to you? Is it like creating a little universe?

MF: I hear a lot better than I do but the visuals are so important. The image whose transfer the spirit of the music. This should move the listener. Is it a small world? I do not know. Your top drawer there is a small world?

9) Your hometown of Detroit is very important in the history of American music. Have you been influenced by artists from Detroit? Do you think the influence of Detroit is still as vivid today?

MF: My father is from Detroit, not me. I am a hillbilly climbing fruit trees in the middle of nowhere. The only city I know really, it's Los Angeles. But Detroit has forced me influenced. I grew up with local television in Detroit, Bill Bonds and listening to old Motown records of my father. I also listened a lot of bands like the MC5 and the Amboy Dukes ( the first group of Ted Nugent, ed ). Yes I think that the influence of Detroit is still relevant today. It was Jack White, who made great stuff with Wanda Jackson and others ... Eminem evokes a certain identity of the city. I know nothing about the music of Kid Rock, but my mother taught with her aunts and everyone describes it as "a good boy." We are in 2011 and I think it is on the verge a huge "revival Detroit. The city will be booming again because there's nothing cooler than hitting bottom.

10) What are your favorite singers?

MF: My mother, Eartha Kitt, Sister Rosetta Tharpe, Edith Piaf, Lena Horne, Josephine Baker, Billie Holiday, Ella Fitzgerald, Margaret Whiting, Nan Wynn, Patsy Cline, Jane Green, Frank Sinatra, Mildred Bailey, Marilyn Monroe, Bing Crosby, Ruth Brown, Wanda Jackson, Al Bowlly, Annette Hanshaw, Sarah Vaughan, Dolly Parton, Maria Callas, Charles Trenet ... There are too many to list them all ...

11) How did you choose your name Mary Flower?

MF: is my real name.

12) Do you love being on stage? Do you miss it now that you no longer have a band? When was your last concert?

MF: I love being on stage and of course I miss it. My last concert was at the Steve Allen Theater in Hollywood shortly before June 2010. I would go back on stage but first I gotta work. I just love the stage, I'm kind of a little lonely recluse.

13) How do you choose your times?

MF: It the songs I choose. They haunt me.

14) You often write new lyrics, why?

MF: It was done much in the past. It is a tradition that I carry. Besides, I do not change the lyrics, I add a new chapter in history.

15) Do you like writing songs? Do you play an instrument?

MF: I love writing but I'm obsessed with other people's songs. I'm very shy about my own compositions. There are a few on my first record. They are so personal. I write tons of poems and letters. When I was little, I played the flute and now I play Qchord a digital auto-harp. I enjoyed playing the guitar but my hands are too small. And I'm not cool enough to play the ukulele as Ian Whitcombe and Janet Klein.

16) Are you afraid of fame?

MF (laughs): I'm not famous and I do not want to become. If one day I am known, I certainly will change face, I will take a new identity and I will disappear forever ...

http://www.mariefleur.com/

Interview by email February 18, 2011.

Eukaryotic Organisms Causing Meningitis

corrupted soul nix



Let dwell pressure cerulean, The
that coats your bloat spirited. Become
of my lands lying peneplains,
qu'éparpillé As well, your giblets still shining.

Especially do not stick strictly speaking, I am only
measured treacherous. And do
t'impute no office of confessor,
more you listen, the more you nonsense.

Beware when making withdrawals vain,
Not to offend my ego fragile
Because the heat flushed through the bile,
Repressive, I'll break up the valiant men.

And if lack of respect, you played the pretentious, I would go their
monetize my rock breccias,
Since you forbid me to remain subtle
Punitive, I'll hurt you till your ancestors.

Especially do not stick strictly speaking, I am only
measured treacherous. And do
t'impute no office of confessor,
more you want me, you imprison me more.

Karate Breaking Board Holder

Angel, etc..



an angel in my sheets passes
I fathom eyes shining
Imbued with a hopeless disarray,
In my heart it rhymes and is fluent, he grabbed
Kidneys possesses me. And secretly I augur
, who could blame me?
That between my thighs he found his pace,
Indefinitely, if I concede.
For who has never dreamed,
To welcome in his flesh the damned idealism?
able to offer him asylum, the rest magnified,
The heart emptied of blood and bile.

Noma 2 Programable Thrmostate Instructions

The Hub Meeting

Back on The Hub project (see post from January 5th ) with its two protagonists and Hubert ZeroSix Yarol Poupaud. Hubert and asked and talkative. Yarol speaks louder and laugh a lot especially. Joker, he tried to introduce a coin into the ear your servant. "Bah, what? My Head Is A Jukebox. This is where you put the pieces? I want to listen to Eddie Cochran! . It was especially great fun. Meeting ...

How did your collaboration?

Hubert It has crossed several times. It has the distinction of attending places of taste (laughs). Good taste to attend the places to be. The first time we met, we had the opportunity to play together. It was at lovamour ...

Yarol: At the hotel. The love hotel. In Lova Moore (laughs)! In the bedroom!

Hubert When I talk about location of taste ... No, seriously it was the inauguration of love hotel, there was a party and we had the opportunity to play live. I keep a great memory of the passage where Yarol started on drums while I played my usual thing. He spent three years later before it gets back to work seriously. After my first album, Super Roots, with a rudimentary technique and bias play only traditional music myself, I wanted to do an album a little more product. I also started working on songs. We have a mutual friend of Tony Truant Wampas who advised me to work with Yarol. Yarol is unusual enough to send short messages. I sent him two or three pieces and he said it's cool going on at home, I want to hear more ... Yarol first started on bass and bass drum and c is that day that we invented the formula that is our live and tear the most.

Yarol: I found Hubert played guitar really well. He had all the Delta planes, picking and everything. Basically, I wanted him bite his plans (laughs). COME TO THE HOUSE THAT I'LL JUST PICKS YOUR PLANS !!!!!

Hubert is our love for Mississippi John Hurt, which has brought us closer. What we do in the end it does not look like Mississippi John Hurt to ...

In fact it was a will for you to move from a solo project produced a music more?

Yarol: It is I who einkorn yeah ...

Hubert I just let it happen. There was not a particular project: "I want to an album with bass, drums ... I would not have believed. The project started walking. The song that defines our approach is "what do you think you'll do." This is the first we did. There is both a guitar and a voice Yarol super roots and brought this with rhythmic bass and drums. That day we said we did the African blues.

Yarol: Pleonasm total ...

Hubert It looked like even more of African music that his Americanized version.

Yarol: We did not even make a record ... Hubert went to the house we did a song. And then we met again two weeks later and we made another ... The recording took place over nearly a year of sessions with right to left like that. One afternoon, an evening ... Then after a while we thought: "And so we say an album here!

Hubert There were even two at that time but was removed titles! (Laughs)

Yarol, how you have melted into the universe of Hubert?

Yarol: It was relatively easy by what has same references, one hears the same music, we know the same stuff ... I, I melted in there having fun. It is the goal of the game At the beginning Hubert told me: From the low on yourself? The bass?

Hubert Exactly, I did not want low ...

Yarol: And then it was, yeah it would still have more bass (laughs) ...

Hubert I, I says he can offer me anything he wants except the bass! And of course the first thing he said is: we'll put the bass!

Yarol: I bought an old Gibson bass that had a little sister on the guitar that Hubert was playing so ... I told him: "This is not a low worry, it did only four strings! (Laughs) It's a guitar "serious" (laughs)!

Hubert When I heard that it gave the groove ...

Yarol: In fact, there is an initial step around the low that was interesting in that all contemporary blues bands, the Black Keys, White Stripes, John Spencer Blues Explosion, is passed low. It was frowned upon. I would say bah, we are going to deliver ...

Hubert Gamin I loved the Cramps and there was no bass. I though the idea that we could make music without bass is not for lack of trying ...

Yarol: What the anti-racism low??

Hubert I had great friends, very good bass players who had said very coldly that he was out of question that I was playing with them because I wanted more bass ... And then me we Having reapply with Yarol ...

The French songs I liked very much. There is a big blues scene in France but almost nobody sings in French ...

Hubert It came to me by actually ... Yarol

Yarol: LOW AND FRENCH, GO! ! (Laughs)

Hubert After the bass, French was the second thing I had planned not to do ... But the pleasure of composing in his mother tongue is something incomparable. There is no comparison. On the scale of values songwriting, eventually, if I could only compose songs in French and who speak to me ... it has made a lot even if we have kept only two on the album ... It's not easy to ring the French.

Yarol: In this kind of music was very close to a reference in Cajun. I'm a fan of zydeco. When you listen Clifton Chenier, there's the French in the country ... And all of Quebec for years 30 and 40, there's amazing stuff ... So it's possible, references are there ...

There is a like that song on the album "The One I Miss" ...

Hubert: Yes you a real web "It's gonna be hard / The One I Miss" ...

Yarol: Yeah with the accordion. I thought it brought a little more (he snaps his fingers) to the album these two songs in French. When you have something to say as much say in your native language ... It was not insurmountable, however. If we had failed we would have made an album in English.

In the 90 are often advised young bands to sing in French to be signed. Now we have more more young bands singing in English ...

Yarol: is going back and forth between one permanent sign of English groups, we sign more ... There is a gap that has opened. I do not mean that Phoenix is a special case. In fact, we realize that in these groups there, The Do or Moriarty, the singers are not speaking at the start (Like Bad Mama Dog also signed on Bonus Tracks Records). I am glad that the French groups singing in English. But beware, there is singing in English and sing in English. I'm working with a lot of bands who I'm fighting for what I feel that English is a fig leaf. When you have nothing to say, it's easier to sing in English. But when you look at the titles, you want to say "no, but wait, they are your words cans (laughs). When you want to sing in English, the least we can do is that Anglo-Saxon understand what you mean. There are guys they arrive and they "girlfriend She Told Me won won won (he pretends to sing into a chararbia incomprehensible laughter). Rican and the next he is laughing and he did not understand a word of what the guy said! And French, he is great to his accent! It's a piece of cake marmonnade.

Hubert English from a country that does not exist ...

Yarol: I Ca cons. Cons by the group that really deliver in English with a real work on the texts and has stuff to say ... This is false speech stupid as what the texts are not important in Anglo-Saxon. Go tell that to Dylan, Neil Young to ! Thank you!

Hubert The idea is not to merely that of French or English only. Some songs are actually better in French, spontaneously. The songs are born like that, it was not fun to translate. You must be comfortable with the song. It has to talking to you and then you have successfully pass. But statistically it sounds worse in English and French.

Yarol: is a very dangerous exercise.

Yarol, when I listened to the disc, I could not help thinking Heartbreak Hotel. Do you see a link between the two discs?

Yarol: Yes entirely. If you take my musical fantasies U.S. Heartbreak Hotel is the front country and blues pouring The Hub. It's the same approach. Both albums were produced just the same way. It is working with a songwriter guitar / vocals. Nikola also came home with his guitar and his song and I built everything around me a sort of jumble and mess arrangements. These are two albums that I consider in the same lineage.

Hubert The album Heartbreak Hotel is one of those discs that made me think that we could build a super trick with Yarol.

catalog Bonus Tracks is very consistent from an artistic perspective with a continuity between each album and each group. We feel that the label is run by a musician. How do you choose the projects on which you work?

Yarol: I do not say I want to sell full. It only works on the stroke of heart and desire to work together. The artist must make me bend. It goes back to the hotel lovamour (laughs)! The Parisians is a group that I am a long time and I really like. I was very happy to do their album.

Hubert: I just I was attracted by the world of other artists Bonus Tracks. Me I will certainly not want to be on a strictly blues label. This is my music but I wanted to be on a label that I only sell network. There I recognize myself in the other groups the label. I see different periods of my musical evolution ...

Musically the album is fairly homogeneous but with touches of rock such as "six feet underground" or a little country like we talked about earlier. It is a sum of your influences?

Hubert Yes but it was not a party taken to a catalog of all the influences. The bluesmen of the 20s in Mississippi whites attended. Blacks, whites played the music that came from the same place and could be compared. Finally it sounds a little more country and blues, basically the same thing. Skins can be reversed. All these songs speak to me. Seasick Steve him when you ask the question, he just says "fuck the blues, I play American music." That's what I have in mind. I am very focused on the component side / song. It is only the hair stand up song with a simple guitar dry. After the song it belongs to you more. The idea is there. I put them in the hands of Yarol with blind faith.

Yarol: And I will not permanently to repeat myself. It annoys me to fourteen times the same song. It's also something that I blame a lot of records today. To hear a kind of recipe. There I am happy with what is more country music, other blues, roots, folk, rock n'roll, soul.

Hubert "Six feet underground is that which is the largest party Later in the rock universe but which can be played like John Lee Hooker. For me what is important is the spirit of the song. If in addition there may be full of colors ...

You certainly know Elliott Murphy. A few years ago when he released his blues album, he explained that the album had been inspired by his wife who told him: "you rockers when you're not dead at age 27 you become bluesman . What do you think?

Yarol: That has not yet 27 years (laughs)!

Hubert : This is not con. (Pause) There are many who have done this way there ... In any case, I am one of the statistics ... I remember as a reminder that Robert Johnson died at age 27.

Yarol: Speaking of what age he was when the Stones Keith Richards were "Beggars Banquet"? (Fast load) Not quite 27.

Hubert: Yes him but he missed his exit. It's not for lack of trying remark. But back to your question, it underscores the timeless. We often talk about "old bluesmen. But these guys have played when they were not old ... This is not music of old, it's just that it was registered before. I do not know what a poet says: "Being old is being young a little longer than others ..."

Interview February 2, 2011.

www.bonustracksrecords.com

Average Cost To Rent A Kiosk In The Mall

Interview with Alex Winston

She's cute Alex Winston. And funny too. Surrounded by her girlfriends singers, three beautiful young girls all the prettiest ones that others who accompany today, interview room looks like a summer camp. A gang of teenagers in European tour. They look happy to be here anyway, " is the first time I came to Europe (except a trip to London where she met producer Charlie Hugall, ed.) There are so many things to see and so little time ... . Alex started singing very young at age six and spent much of his childhood in the basement of his family's house in Detroit: " I was lucky, there was stuff, drums, a magneto twelve tracks ... . And you girls, "I said when I spoke to a gang of singers quietly sitting on the sofa next door, you also have spent time in the famous basement? "Yes " they assure me in chorus, some are his childhood friends ... Alex is very proud of its origins in Detroit: " Music is something everyone is very proud on that Low "assures me that quoting pell-mell, the MC5 and the Stooges but also the Detroit Cobras and The Von Bondies among his influences. Many groups that it is not easy to trace in his orchestral pop: "Yes it true my music is not very rock. I keep most of these groups is energy. My first demo was recorded in a studio in Detroit next to the house where lived Ron Asheton . We saw his garden. It was cool ... . His influences would they look to the side of Motown? "I love Diana Ross and The Supremes. That's why I took these beautiful young women to sing with me "she said, pointing to the beauties installed on the sofa next door. Listening to the mini album "Sister Wife" is especially Kate Bush than you think: "Kate Bush I do not know anything. I discovered very recently. But I love it. I have great admiration for her is a great musician, she plays many instruments. It was a bit the same kind of voice. I always had a high voice . Your voice is different when you speak. "Fortunately " she whispered with a disarming smile. "The difference with Kate Bush is that I love being on stage. We are a full band ... eight musicians. " music scene in Detroit was great, I miss it sometimes ... "Coward in a flash nostalgic one that has left town and moved to New York City. "I'm part by what happened to me does nothing to Detroit. But I will, my history with the city is not over . It seems a little disappointed with the lack of recognition in his native city. It was in New York The Alex met Knocks found today as co-producers of the mini-album: "They have a profile more electro Charlie Hugall (also co-produced the disc, ed) which is very trendy and pop symphony (as evidenced by his work with Florence and the Machine ). The two styles mixed together you get a perfect balance. You remove one element and it seems that all wobbly. I was mostly "real" instruments that I liked. The Knocks me literally , she insists, literally forced to use the synthesizer. But I liked it, it opens up possibilities ... . Intrigued by the photos at discounted a little retro character of Alex, one can not help to ask the question: Alex, if you could travel through time, which decade would you visit? " Oh, probably the sixties. I wanted to be the girl who married Jerry Lee Lewis! . Statement that triggers the general hilarity in the audience (and the author of these lines has been difficult to recover ...). "And now how you chained? "asks one of the singers. Let's talk about another star of rock and roll: Chuck Berry, you've done the first part, right? " Yes, it was in St. Louis. It was weird I care less about the chips, it is so great ... When you do the first part, you have no right to use his name on stage. It is not going to bother him in the dressing room. He came to me and shake my hand before I slap on my arm and twist it in all directions. she said while mimicking the scene in a gesture of indescribable song taking a chorister as a guinea pig. I was there, but WOW what happens ... "triggering a new burst of laughter. " You never had the pleasure of meeting him? . The clock is ticking and it will soon be separated: "It is a large international family. Now you're part of it! "she said in a hearty laugh while squirming in his chair. "You come see us live next time? We love you. We count on you. The album will be released next fall ... . Yes, yes, Alex, I promise ... They are very excited to start the next stage in Berlin, is scheduled for 17 hours. " It seems that it's great! We start by road . So we got up to leave, Alex begins to tease his friends. They are cute ...

About recueillis le 17 février 2011.

www.myspace.com/alexwinston

Denise Milani Breasts Growing

An Interview with Mary Flower

1) After been a lead singer for the bands Jazzabilly Blues, The Model Millionaires and Mitcho Pelo, how does it feel to be on your own and in charge ?

Marie Fleur : I've always been in control.

2) Are you still in touch with your former band mates since you moved cross-country from Los Angeles to Detroit ?

MF : Oh yes, all wonderfully talented people. I love them all.

3) The new album " Bébé Licorne" is a major step up in your career and a melting pot of new sounds, can you say a few words about it ?

MF : We took some risks I guess but it's a jazz album deep down.

4) Is the song "Bébé Licorne" a preview of what you might do next ?

MF : ha no, it's just a comedy piece but there will certainly be more electronic music. I love the music of a guy named Alfred Darlington aka Daedelus & of course I've always been obsessed with the career/music of Raymond Scott. Also, who doesn't want to be Clara Rockmore?!

5) By the way, were you on drugs when you recorded it? If yes tell us which one, it seems to be pretty effective...

MF : No, no drugs that was just the result of singing for literally 12 hours straight inside of a pyramid. I like to do one song on every album that illustrates how a person feels after being cooped up in a tiny room for hours and hours and working yourself until you're nearly dead. No matter how sane a person is they always have a breaking point where all they can do is laugh maniacally and roll on the floor. Then they get up and continue working as if nothing weird ever happened. I figure if you haven't done this you just aren't working hard enough yet or you're a robot.

6) How did you get in touch with the 30's jazz repertoire ?

MF : Like I get in touch with any era; I close my eyes and time travel baby.

7) Would you say that your music is somewhat nostalgic ?

MF : Of course, but we're also concerned about the future.

8) Your albums always have great cover art. Do you take special care of the visual side of things ? Is that important to you ? Is it like creating a little universe ?

MF : I hear much better than I see but yes visuals are important. The picture must convey the spirit of the piece. It must take a person to a destination. Is it a little universe? I don't know. Is your top desk drawer a small universe?

9) Your hometown of Detroit is a place of major importance in the US music history. Have you been influenced by any Detroit artists ? Do you think that Detroit's influence in nowadays music is still vivid ?

MF : My dad is from Detroit. I am not. I'm a hayseed climbing fruit trees in the middle of nowhere. The only city I really know is Los Angeles but Detroit must have influenced me. I grew up with the Detroit TV stations, Bill Bonds and listening to all my dad's old Motown records. I also heard a lot of old recordings from bands like MC5 & Amboy Dukes. Yes, I think Detroit's influence is absolutely still relevant. Jack White is out there making some golden stuff with Wanda Jackson & others. Eminem evokes a current identity of the city. I don't know anything about Kid Rock's music but my mother taught school with his aunts and they say, "he's a good boy." It's funny about Detroit. Right now in early 2011 I feel like we're on the precipice of a huge Detroit revival. The city is about to boom again because you can't get much cooler than hitting rock bottom.

10) Who are your favorites singers ?

MF : My mom, Eartha Kitt, Sister Rosetta Tharpe, Edith Piaf, Lena Horne, Josephine Baker, Billie Holiday, Ella Fitzgerald, Margaret Whiting, Nan Wynn, Patsy Cline, Jane Green, Frank Sinatra, Mildred Bailey, Marilyn Monroe, Bing Crosby, Ruth Brown, Wanda Jackson, Al Bowlly, Annette Hanshaw , Sarah Vaughan, Dolly Parton, Maria Callas, Charles Trenet... there are too many to list!

11) How did you pick up your stage name Marie Fleur ?

MF : It's my real name.

12) Do you like being on stage ? Do you miss it (now that you're "bandless")? When was your last show ?

MF : I love being on stage & of course I miss it. I think my last show was at The Steve Allen Theater in Hollywood sometime before last June. I'll get out there again but I'll have to work up to it. As much as I adore the stage I'm kind of a recluse.

13) How do you choose which song to cover ?

MF : The songs choose me. I'm haunted by them.

14) You often write alternate lyrics, why ?

MF : They used to do that a lot in the past so I just kept it going. I don't think of it as "changing" the lyrics. I just add another chapter to the story.

15) Would you like to write songs ? Do you play an instrument ?

MF : I do love to write songs but I become obsessed with other people's songs. I'm very shy about my own but there's a couple on my first album. They're so personal. I write tons of poetry and letters too. When I was a kid I always played the flute and now I like to play around on this digital auto-harp called the QChord. I wish I could play guitar but my hands are too tiny & I'm certainly not cool enough to play ukulele like Ian Whitcomb or Janet Klein.

16) Is celebrity somewhat scary ?

MF : *laughs* I'm not a celebrity and I hope to stay that way! If I ever Became famous Certainly I'd change my face, take it a new identity and disappear forever.

www.mariefleur.com

Secondinterview Green Card

Legnini Eric & The Afro Jazz Beat:" The Vox "

Pillar of jazz clubs in Paris, the Belgian-born pianist Eric Legnini is an important player in the music scene that either through his own albums and his various collaborations like mere sideman, arranger, composer or producer. Various hats he puts them all at once to this new effort with his band The Afro Beat Jazz entitled "The Vox". The voice in question is that of the new York, for nearly Hugh Coltman , Krystle Warren's profile rather oriented folk, who here is evolving into a registry between jazz and soul woman. Tone, both broken and frayed, is beautiful and continues to do wonders for a good half of the album. Because contrary to what the title might suggest, the album alternates instrumentals (5) and songs (6), providing the transition to a getaway Krystle solo time "Canyon Lady". Musically the album is in the lineage records of the early 70s. Roots. Based on a rhythmic foolproof (Frank Agulhon on drums Bramerie and Thomas on bass) and full of sensuality swing, Eric Legnini has any latitude to develop long solos, piano, Fender Rhodes or Hammond organ B3, in a spirit free. Two guitars, percussion and horn section, very efficient on the funky "Black President", complete the landscape deliberately retro, which also refers the pouch. Limiting the number of players, and his band Legnini install throughout this superb album a feeling of intimacy. The beautiful book on the old, neat, classy and timeless charm finally.

www.myspace.com / ericlegnini

OUT THE February 28, 2011.

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Carmen Linares, Apartments Arts de Créteil, Festival sounds of winter, February 11, 2011.

programming always sounds perfect winter festival has brought us this year on the side of Spain along with the flamenco singer Carmen Linares and his show Verso Verso, divided into two parts: the first devoted to singing, the second an interpretation of the texts sung poets Lorca, Hernandez, Machado, Jimenez ... Installed in an arc, the musicians are at number five surrounding Carmen Linares: two guitarists, legs crossed in the typical position of flamenco player, a percussionist playing the cajon (percussion in this cube on which we play seated), the singer and the last musician to accompany the music with hard sole shoes. Carmen Linares dressed in his deep voice hoarse and the delicate guitar arpeggios, tearing a stamp which often takes the form of a cry of pain. Sometimes the music comes back side of the blues that flamenco is perhaps a distant cousin. The formula is progressive voice is sometimes accompanied by one guitar but when the group is complete, and its denser, that seduction is in full. Flamenco is an art of dance and escort hitting the dance rhythm of the hands, installed on a carpet in front of the stage, in a further gesture highlighting the dramatic dimension, with small steps acting jerky tap punctuating the rhythm. Wrecked by tension as the group releases the pressure on late night concert ending totally disconnected, a cappella away from microphones, improvising dance steps with small features at each turn, one guitarist finally escaping the ignominy.

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Melton Baron February 21, 2011

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Summer 67: "Staying border "

Casually, discreetly, the Belgian Summer 67 are currently conducting a small feat: an album tinged country music sung entirely in French. Like what many things are possible. Located at the intersection of folk, rock and country, therefore, Summer 67 offers a particularly roots album, recorded at the old, live in the studio using vintage equipment (Hammond Organ, Harmonium 1920, Piano, Harmonium Indian psychedelic touches for good ...). Approach applied to the letter which ultimately makes all the difference. Because that means. Air, soothed, music Summer 67 hovers above the constraints and hassles, a form of light, which suits the delicate tone of delight Nicolas Michaux singer and the listener is flying in passing. Difficult despite some heartfelt guitar solos, inherited from garage rock, and panic rhythmic music Summer turns 67 rather light despite the thematic texts dim. Four years after a successful debut album, Summer 67 has indeed passed a border, that of "always tricky 'second album.

www.ete67.be

www.myspace.com/ete67

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S Petit Nico:" Human "Mighty Mo Rodgers

After working as a composer of film music and theater, the former companion of Grand Corps Malade, S Petit Nico today released his first solo album simply titled "Human". On this first effort Nico mixes genres and colors to achieve a sort of unprecedented meeting between the French song, slam and rap. Regularly changing the mask from the singer's voice sensitive to don that of rapper. Colorful, Opus is melancholic to yell: "Slum" rap "Human", from the romantic folk ballad ("Touch of Spring"). As committed "An angry man," revives the tradition of offering a slam text chanted a cappella. "This World" is probably the most intriguing piece, from a melancholic piano and then drift into a funky rap mostly sunny. Groove is also mentioned on the web "Today / Melody of Words", a duet of the most danceable tracks. An accomplished pianist, S Petit Nico also aspires to a certain classicism, as evidenced by the instrumental "Current". A large amount of music in bathroom for this artist badly human.

www.spetitnico.fr

www.myspace.com / spetitnico

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Donut smile "Hoe Khiou Siao"

Hoe Khiou Siao is a donut-shaped smiley face and why it is considered auspicious. It is often served in the snacks of the festivities of the day of the year and at weddings, because it represents joy, cheerfulness and happiness.

The Chinese believe that the spirits of ancestors return home especially during the holiday season. Also not to grieve those spirits, it is recommended that children remain wise and kind and parents to be complacent. To remind everyone to be friendly and well sure, it arranges the fritters smile on the main table.

"And if you meet someone who does not smile, offer donut smile at him because no one needs a smile as much as that can give to others. "


For twenty biscuits:
2 / 3 cup white sugar 1 teaspoon

tablespoons butter 1 egg 3 tbsp
water
2 cups flour without yeast
1 teaspoon yeast
1 / 2 cup sesame seeds Oil for frying



In bowl, combine sugar, butter, egg until mixture is frothy. Then gradually add water. Continue to mix.


Add flour and baking powder sifted.
careful not to overwork the dough.
Roll into a sausage and cut into pieces.


Roll each piece into a ball, moisten with a little water and then coat with sesame seeds.



Heat the oil in a saucepan over medium heat.
Fry the meatballs over low heat until they swell and burst.
Return to low heat for browning.

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+ Roland Tchakounté, NECC, Maisons-Alfort, February 10, 2011.

nice little concert hall in suburban New Cultural Center charentonneau (NECC), located next to the covered market of the same name, hosted a party last Thursday night blues of the highest order.

It begins with a discovery in a blow of heart for the bluesman from Cameroon Roland Tchakounté. Its formula trio, he is accompanied by a drummer / percussionist and an electric guitar, assuring himself folk guitar, is a tribute to his homeland of Africa with his music is like a journey. In fact Roland is a hybrid artist Tchakounté halfway between the blues and the griot, music, sung in the vernacular, making the blues to renew its African roots. He is aided by an excellent drummer playing a kit complex holding both the drums and percussion when the often serves as a djembe drum. There is also a complicated mechanism with a kick pedal upside down, allowing the Gyro Gearloose drummer playing cymbal ride. The battery is played with a broom. Braced on his Les Paul, the guitarist has a style much more traditional blues played with the finger (important). As for Roland, he provides the rhythm on an acoustic guitar and sings in his deep voice and serious. Periodically the group down the sound and play less and less strong, affecting the public fairly intimate. All played without guitar pick and drums played with a broom gives a great delicacy to the music. We spend some quality time greeted by a well-deserved standing ovation.

bill much more classical, pianist / organist Mighty Mo Rodgers from Los Angeles took over on the stroke of 22 hours. Mo's powerful is accompanied by a training guitar, bass, guitar, combining both youth (the drummer and bassist) and experience, the guitarist who seem to have quite a bit of bottle, unfortunately, he spent the evening too much hassle with his amp. It does not take much time to Mo to seduce the audience demanding a rhythmic support from the public (that "the dead do not move & the living move"), the latter being asked to clap their hands pace. The climax came when we were offered to sing in chorus "CHICAGO If You Want Some Blues, This Is The You Have to go up. " It's so true ... Failing to go is a bit of Chicago who came up to us and if we take into account Africa mentioned in the first part, it was casually mini tower world in one night ...

www.roland-tachkounte.com

www.myspace.com / rolandtchakounte

www.mightymorodgers.com

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Carosel, The International, February 7, 2011.

If the maxi "Star" gave the duo Irish pop Carosel the image of a colorful group, the providing them Monday evening at the bar music scene internationally reinforces this trend while pulling into their palette of colors warmer. The group is reinforced for the occasion of a great drummer bringing a Latin color that blends beautifully with the guitar, sometimes tending toward the flamenco, Pete. The latter, before the eternal traveler ( cf. interview), is also expanding into solos exploring broader ranges orientalizing inherited from his stay in India. Besides the titles on the maxi, the trio deliver a great version of the classic "Let's Stay Together" Al Green and more titles of their first album in more jazzy repertoire. The opportunity for the singer Michelle, eyes half closed, to renew, passionately, with the posture of a jazz singer. Set a rather short, about half an hour, giving the desire to discover, finally, their long awaited second album ...

www.carosel.ie