programming always sounds perfect winter festival has brought us this year on the side of Spain along with the flamenco singer Carmen Linares and his show Verso Verso, divided into two parts: the first devoted to singing, the second an interpretation of the texts sung poets Lorca, Hernandez, Machado, Jimenez ... Installed in an arc, the musicians are at number five surrounding Carmen Linares: two guitarists, legs crossed in the typical position of flamenco player, a percussionist playing the cajon (percussion in this cube on which we play seated), the singer and the last musician to accompany the music with hard sole shoes. Carmen Linares dressed in his deep voice hoarse and the delicate guitar arpeggios, tearing a stamp which often takes the form of a cry of pain. Sometimes the music comes back side of the blues that flamenco is perhaps a distant cousin. The formula is progressive voice is sometimes accompanied by one guitar but when the group is complete, and its denser, that seduction is in full. Flamenco is an art of dance and escort hitting the dance rhythm of the hands, installed on a carpet in front of the stage, in a further gesture highlighting the dramatic dimension, with small steps acting jerky tap punctuating the rhythm. Wrecked by tension as the group releases the pressure on late night concert ending totally disconnected, a cappella away from microphones, improvising dance steps with small features at each turn, one guitarist finally escaping the ignominy.
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